My love for all things dance

I first witnessed ballet was when I was seven years old. My mother had taken me to see the Sadlers Wells Ballet perform Les Sylphides in London, and I was instantly mesmerized! Little did I know at the time that I would become a professional dancer, and then later transition to a costume designer.

That's not me in the photo. I just like the picture!

I never lost my love of dance and dancers. I know how hard it is to train, to become really good, and how short a ballet career will most likely be. Dancers of any age speak a common language, a language of sore muscles, intense and disciplined training, and the pure joy of artistic expression through movement.

In fact, it was my experience as a dancer that got me my first costuming job. I met one of the producers of Ann-Margret's lavish Las Vegas act, who was looking for someone to co-ordinate the 12 dancers' and 6 singers' costumes for her show. I thought I didn't know anything about costumes, only having worn them, never having made them, but the brilliant producer said I must understand what dancers need, and so gave me the job! That was what started it all.

Through Ann-Margret, I met Bob Mackie and became his assistant for the lavish Las Vegas show "Jubilee," and once again found myself costuming dancers. During rehearsals, I even took class with them from time to time if I wasn't busy downstairs in the wardrobe department. 

Leigh Taylor Young in Passions"

Many years later, while designing the show Passions, I had an unusual experience with actress Leigh Taylor Young. It turned out we had a unique connection from the past. She asked me, "Were you ever a student at the National Ballet School in Toronto?" I was surprised at the question, as that wasn't something that was in my bio. It turns out that she was also a ballet student there, a couple of years younger, and "looked up" to me, one of the "older" students at age fourteen!

From ballet to Broadway to ball gowns in Hollywood. Who would have thought!

Women in TV, Film, and (why not) everywhere!

As I work on my book (and yes, I have only 7 more chapters on which to do a substantial re-write and edit!), I think how lucky I have been to be able to pursue a career that I wanted. It wasn’t always so easy for women to choose anything that excited them and go for it.

I have been lucky in my life that I was born into a family where I had many strong women as role models. My paternal step-grandmother was a judge, a mayor, and was, in general, a no-nonsense kind of woman! My great aunt was an obstetrician, one of the first females to graduate in the early 1900’s with a medical degree. There was also a distant cousin who was an Arctic explorer in the early 1900s! So it never occurred to me that I couldn’t do whatever I wanted because I was a woman. It just never entered my mind.

 In high school, most of my classmates were going on to be either nurses or teachers. It seemed a pretty limited selection to me, but I already knew I was going to be a dancer, so what did I care?

 By the early 1970’s I was living in Los Angeles, and it’s not to say that there weren’t obstacles to overcome as a woman. It was difficult at that time, if not downright impossible, for a woman to buy a house without a father or husband to co-sign. Can you imagine! Do you remember Edith Bunker trying to get a loan at the bank? The 1970s were a tumultuous time with all sorts of reexamination of women’s rights going on, and women such as Gertrude Stein, and Erica Jong and Germaine Greer drawing attention. And of course, the demand for equal rights and the sexual revolution changed so much in how we could lead our lives. It was an intoxicating period, with the promise of greater freedom and power!

 And as I started my transition to my career in costume design, many of the top television producers, stars, designers were women. Think Murphy Brown, Designing Women, and Gilmore Girls. The very first producer who took a chance on me, hiring me for The Facts of Life, was a woman, and many of the producers (and a few directors) I worked for in television subsequently were women, including Penny Marshall, Yvette Lee Bowser, Irma Kalish, and Lisa De Cazotte.

 I still believe that it’s important not to feel that you are coming from behind, but that you are starting from the same start line, and that excellence in what you do is the thing that will propel you forward. Not nepotism, not cronyism, not anything but commitment and talent and passion. Call me naive or an optimist, but I’d like to think even men wouldn’t be dumb enough to ignore someone who is really really really good at what they do!

COSTUMES, HALLOWEEN, & COLORFUL CHARACTERS

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  Every once in a while I have several nights in a row when I awake around 4 am and can’t sleep. I think I am worried about the outcome of the presidential election. But no, this is not a political blog, so I will quickly move on!
  
  
  Here’s what made me happy this week:
  
  
  • The newest issue of Entertainment Weekly (which I subscribe to) features several articles under the banner ‘Hollywood Design Report”, chronicling costume, set, and prop designers for various films and TV series (Once Upon a Time, Les Miz, Boardwalk Empire and more”!  I'm happy also to see the wonderful work of my colleague Eduardo Castro featured so prominently on the cover and inside. I remember back 10 years ago or so when the Costume Designers Guild (on whose executive board I served for 3 terms, once as Vice-President) first searched for a PR firm to raise the profile of costume designer. All of the applicants made their case that it would be a very hard sell, as most publications were more interested in the stars, not designers. Thankfully that has really changed!
  
  
  • I have been asked to give a presentation at a fundraiser for PBSVegas on the fashions of Downton Abbey. The event will take place at the Mandarin Oriental here in Las Vegas in December and will be an afternoon tea. I have a lot of research to do to come up with a worthy presentation which will honor the costumes, and also be interesting to a large group of PBS supporters.
  
  
  • I finished a little girl’s Halloween costume and had the delight of seeing the 2 1/2 year old twirl delightedly and gaze at herself in the mirror! I rarely make Halloween costumes (most professional costume designers don’t much care for Halloween!) but this seemed like a worthy project for an adorable toddler and a very nice client.
  
  
  • I received a phone call from one of my “students/mentees” to give me the good news that she is now Assistant Costume Designer for “Absynthe”, one of the big shows on the Strip, thanks (in a small part) to my recommendation. Nothing gives me more of a thrill than hearing that someone who sought me out for training, who put in the time and hard work, and has steadily worked on her career, is achieving success and accomplishments. I am so proud of her, and so grateful that she has kept in touch with me. In fact we are meeting for lunch in a week or so.
  
  
  • And lastly, I was watching The Today Show the other morning and saw a feature on three seriously senior women (80’s and 90’s) who have flamboyant and colorful personal style. I suppose the younger generation would look at them and think they are off their rockers, but then seniors often look at today’s teens and think THEY are off their rockers! But these seniors made me laugh and smile at the riotous colors they wore and the joy they took in their own unique sense of style. One said she calls herself “a geriatric starlet”, and another says “life is very grey when you dress up it makes you happy.” When I see older women, especially here where I live in Las Vegas, wearing baggy cotton crop pants, boxy t-shirts, and Birkenstocks, I despair, and think I’d rather be wildly eccentric and colorful as I approach senior style myself!. So, as the spriti moves me, so will I dress!
  
  
  
  
  
  

SAN FRANCISCO, WHAT'S NOT TO LIKE! Plus memories of the late Phyllis Diller

DIANA'S NOTE: I wasn't going to publish this edition of my blog for a week or two, but I saw today that Phyllis Diller has died at age 95. Many of you younger readers will not remember her, but strangely enough, I just wrote about her last night, in paragraph 3 below!

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I spent last weekend in San Francisco, a city I have not visited for at least 20 years. The trip had a dual purpose:  to attend a wedding shower for some dear friends  and to interview one of our finest costume designers Aggie Guerard Rodgers. (The Color Purple, Beetlejuice, Return of the Jedi, need I say more?)

As always, memories came flooding back. I first visited San Francisco in my very early twenties, when I was a dancer with the National company of My Fair Lady. We had previously played in Los Angeles where I saw my first palm tree and ate my first Mexican food, and now we were at the Curran Theater on Geary Street in San Francisco. Right next door at the Geary Theater, Gypsy was playing with Ethel Merman, and since their opening night was right before our opening night, we were able to attend. I had been told that Merman had just heard that Rosalind Russell  was going to play “her” role in the film version, so when she bellowed her opening line “Sing out, Louise” from the back of the house, the place went nuts and cheered and applauded her in support.  Again, when she sang “Mama’s Turn” in Act 2, she brought the house down a second time.

In San Francisco I had my first Ramos Fizz in the little bar across the street, saw my first drag show, and went to the Hungry I to see a “new” comedienne called Phyllis Diller. There was a big line to get in, so, in a moment of unusual bravado, I marched to the head of the line with my dancer friends and asked if they extended “professional courtesy”. They ushered us right in past everyone, including it turned out, our company manager! Diller was hilarious, and we quoted her endlessly for months after that.

Touring was great fun at that age, especially with a big musical, where there were lots of dancers and singers my age to hang out with and go sightseeing with. There was a key group of us that stayed friends from those days to now.

About 8 years later I returned to the Bay Area, this time as choreographer for A Funny Thing Happened on the Way to the Forum. The star, the late Godfrey Cambridge, had rented a houseboat in Sausolito for the run and invited one of the dancers to stay there with him, She wasn’t comfortable with that, so she invited me and another dancer to stay there too. Godfrey was habitually running late, and one night the theater called in a panic because the 4 of us hadn’t shown up yet for the show. We hustled Godfrey into the car, and as we crossed the Oakland Bridge toward the theatre in Berkeley, I looked over at the speedometer and saw that he was driving over 100 mph! We moved out the next day - a wee bit too much adventure for our taste!

I returned to San Francisco two times more as an actress with The Odd Couple and later with The Killing of Sister George. Sometimes I was lonely, as plays have much smaller casts, so I would find a ballet class to attend just to be around people. 

I also learned to drive in San Francisco! Having grown up in Toronto, where the public transit system is so good you don’t need a car, and then moved to New York, where having a car is not necessary either, I had never learned to drive. I got my license in Los Angeles and as soon as we got to San Francisco I rented a car and drove every day. I went up and down those steep hills (not stick shift, thankfully), over the Golden Gate Bridge, and down the winding road on the other side to Stinson Beach. It was scary, but I loved driving, and still do!

And then this weekend, I met Oscar nominated costume designer Aggie Guerard Rodgers. She has lived in the Bay area her whole life and managed a very successful career designing major feature films from her home base in San Francisco, commuting to Los Angeles or location when necessary. A warm and totally down to earth woman, I loved her right away! She shared with me many of her stories and her views for an article I am writing for the Costume Designers Guild website as we had a super lunch at a Creperie in the MIssion District. 

San Francisco - what’s not to like?

(and don't forget to check out my online costume training course at www.HollywoodMentors.co)