Then and now: Jason Bateman, Debra Messing, so many more

I know this is going to make me sound (but not feel) frightfully old......but I can’t help but take pleasure in seeing so many actors I have worked with in the past working in today’s TV and films. Not a day goes by when I don’t spot a former “costumee” of mine on the tube or silver screen.  

Case in point: yesterday my husband and I saw the film “Identity Thief”, starring two of “my actors”. Jason Bateman guest starred on the TV series “Ned and Stacey” in the ’90’s, and he seems exactly the same as I remember him. Nice. Unassuming, Gently funny. Gorgeous green eyes. I have a photo of him somewhere on set.

Another actor I actually didn’t recognize in the film at first was Robert Patrick.  I went on IMDB and saw this quote "I think 90% of acting is makeup and wardrobe. The other 10% is what I do here in my office, bouncing off the walls."  Haha, I know actors won't agree (and neither do I completely) but I love the shout-out to make-up and costumes! It actually reminded me of Robert, who showed up late to his fitting for a TV one hour pilot  I was designing called “Snitch”. The next day he showed up to his second fitting on time and said “my wife told me I have to apologize for yesterday and that I was being an ass-hole”! He made me laugh, and we got along great.

I love the TV show “Smash” and watch it religiously every time it is on. It takes me right back to my own Broadway days as a dancer. I’m sure lots of things have changed since then, but it still feels very familiar. And there is fabulous Debra Messing, whom I costumed for two years on the aforementioned Ned and Stacey! Debra was a handful, but I adored her. She refused to allow the producers to coerce me into putting her into padded bras (typical sitcom-think!) and had her own ideas for the bohemian Stacey. We had great fun defining her look. Of course, Thomas Haden Church was even more of a handful, but in a completely different way - droll, stubborn, with that incredible voice. But his wardrobe is one of the looks I created (with his input of course) that I am most proud of. The Atlanta Journal Constitution said “ Thomas Haden Church is one of the best dressed men on TV”.

Then there’s “The Big Bang Theory”, a hit TV comedy. I have two of my former “kids” on it. Mayim Bialek was 12 or 13 when I first costumed her for a pilot spin-off of “The Facts of Life”. She was very funny. She had a scene where she wanted to be more grown up and stuffed socks in her chest. And the self assured young woman who is today Kaley Cuoco was 15 wen I first worked with her on a TV movie with Tony Danza, shot in Vancouver. 

Another successful young woman is Alyson Hannigan, I’m sure known to everyone under 35 for many successful series, now in “How I Met Your Mother”. She was also around 15 when I costumed her in one of her first TV shows, which was cancelled after 12 episodes. She wailed ”I’ll never work again”, which is what we all think when a show is cancelled.

Then there’s Dennis Haysbert, the tall actor with the deep voice who is seen in all the Allstate commercials and played the President in the series “24”. He had a bit part in “The Facts of Life” as a cop. I don’t even remember him. And the high school Principal  Figgins, in “Glee”, Iqbal Theba - he played a bit part on one of my sitcoms.

And of course, my biggest star, George Clooney! We all know what happened to him!

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BROADWAY AND DANCERS, I LOVE THEM ALL!

Last night I watched “SMASH” on TV and it reminded me how much I love Broadway performers, singers and dancers. Well yes, I was one once, and I treasure every moment I spent performing on several Broadway stages.

I remember those auditions - terrifying! If I got to audition first as a dancer, even in those huge cattle calls (as they were called) on stage where 400 dancers got whittled down to 30 or so for callbacks, I knew I had a very good chance. If then I got to audition as an actress, I knew I had a good chance.  But as a singer? No, no, no. 

I would have worked on a song or two with my coach in preparation, it would go somewhat OK, but the moment I was standing in front of that table of producers and directors, I knew I really sucked. And I knew it after the first few lines of the song, knew the directors wanted to cut me off and were being polite. I would feel so humiliated, and would usually hail a cab and cry in the back seat all the way home to my fourth floor walk-up apaprtment just down the street from Lincoln Center!

But dancing, yes, I usually made it to call-backs, and made it into four different Broadway Shows!

In fact, it was my experience as a dancer that got me my first costuming job. I met one of the producers of Ann-Margret’s lavish Las Vegas act who was looking for someone to co-ordinate the 12 dancers’ and 6 singers’ costumes for her show. I thought I didn’t know anything about costumes, only having worn them, never made them, but the man said I must know what dancers need, and so gave me the job. That was what started it all!

I certainly made some mistakes along the way, especially in the beginning. In one of my early jobs actually creating costumes, I asked to be allowed to make the dancers jumpsuits for a dance number to “Car Wash”. Believe it or not, two way stretch material was not yet on the market, but I was able to find a ski pant fabric that did stretch one way. Thinking the guys would need it to stretch sidesways to allow for their chest expansion, I cut the jumpsuits in the wrong direction. I got that call from Roger Smith that no-one just starting their career wants to get....”your costumes are all ripping at the waist when the boys do the dance number”. A good friend gave me some excellent advice. He said, the best way to deal with a big error like this is to offer several choices of solutions, so I got up my courage to call Roger back and suggest that I come to Las Vegas, and spend the day inserting a stretchy band at the waist so the guys could move. It was a LONG day, as I had 8 jumpsuits to fix in time for them to be worn that night in the show, but there seemed to be no hard feelings. And I NEVER cut stretchy costumes the wrong way again!